Returns to B minor in Bars 1101-109, with a dominant pedal and some chromaticism, ending on a dominant ninth chord in Bar 109. Scherzo 2 for piano in B flat minor (1900) Scherzo 3 for piano in F-sharp major. B:īars 69-124: Agitato. Begins with a sequence based on the rhythm and figurations of the main theme, using the chord progression iv-V7-I in D major (Bars 69-72), F sharp minor (Bars 73-76), and A major (Bars 77-79).įollowed by another sequence, using a French augmented sixth and dominant chords of C sharp minor (Bars 80-81), C minor (Bars 82-83) and B minor (Bars 84-85).īars 86-101 are in F sharp major (dominant major) with a flattened sixth (D natural), with perfect cadences in Bars 92-93 and 100-101. Balakirev was still a teenager when he wrote these two pieces and. E sharp in Bar 27, G sharp in Bar 29) but no modulation.īars 44-68: Interlude, softer, with occasional loud outbursts, all in B minor, ending with a perfect cadence in Bars 66-67. 2, written in 1837 (the same year Chopin wrote a great work in the same key: his second Piano Sonata), has such a modal ambiguity (b-flat minor/D-flat Major) that some publications refer to it as the b-flat minor Scherzo, while others as the D-flat Major Scherzo. In the meantime, casually expressed, another 2 Scherzi later, 2 Scherzi more mature and clearly even more confused, alas. what is your major and why did you choose it if youve graduated and now have. In my blog post of 21 March 2016, I lamented the existing confusion concerning the tied notes in Chopin’s 1 st Scherzo. Chopin: scherzo or etude harder to play, in terms of technique and skill. Bars 29-32, 37, 39, 41, 44), and some chromatic unessential notes (e.g. Confusion surrounding Chopin’s Scherzi episodes 2 & 3.
The passage which follows is all in B minor, with a dominant pedal in Bars 25-36, frequent diminished seventh chords (e.g. After all, if you can’t be individual in works from the Romantic period, you are in the wrong business.Bars 9-44: The main theme is heard in B minor with tonic pedal in the bass (Bars 9-16) then E minor with dominant pedal in the bass (Bars 17-24). He didn’t play these works “the way you’ve always heard them,” thank goodness. Janek: Piano Sonata 1.X.1905 Ravel: Gaspard de la nuit Chopin: Scherzo No. At times, a daring and personal sense of rubato was applied, but always with a structural view, never distorting the total architecture. Categories Romantic Period, Solo Keyboard Tags Arthur Rubinstein, Chopin, Chopin Scherzo No. Color variety was abundant, reflecting the deep and dramatic emotional shifts that frequently turn from brooding to exultant in these lyrical narratives.
#Chopin scherzo 2 a major or professional#
They are also routinely massacred by well-meaning pianists, both professional and amateur.įrom the opening stark low C of the first Ballade, the audience sensed it was in the presence of total mastery and a personal vision for each phrase and each work as a whole. These works are so well-known that their themes have become part of the musical subconscious, so to speak. His daunting program consisted of two giant blocks of the repertoire, the four Ballades and the four Scherzi of Chopin. Dang Thai Son was the gold medalist of Chopin Piano Competition in 1980 (and also the first Asian pianist to win this prize).00:00 - Nocturne in E-flat major. Carlo Grante possesses both technique and poetry in formidable degrees. The great pianist Alfred Cortot said of the Chopin Etudes that “they are as inaccessible to the technician without poetry as they are to the poet without technique.” The same could apply equally to all of Chopin’s works. Reviews Frank Daykin, New York Concert Review – October 2014 It was published that same year, dedicated to Countess Adle Frstenstein. The complete Ballades and Scherzi, works that are among the most sublime achievements of Chopin’s compositional genius, that are hardly ever offered as complete sets.
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